Why Relying on Welfare System Should Be Avoided Essay

The welfare system was created before the government welfare programs started. The system was created to help single mothers, children with disabilities, unemployment and, underemployment. The system offers many different ways to help such as: cash assistance, food stamps, employment assistance, and Temporary Assistance for Needy Families (TANF). The system has helped a lot of needy families and still continues to help a lot of families. Many Americans have now started to qualify for help from the system. So people will get help from the system and stay on it just because it’s free. In the article (Why get off welfare) by Michael Tanner he made a statement saying: But there is also evidence that many are reluctant to accept available†¦show more content†¦We need to change the criteria of how you receive the help, while also looking into the lives of people receiving help from the system. This will ensure that they are using the systems benefits the right way and will not become dependent on the system. The system was created to give temporary help not lifetime help! Americans have become lazy and have started to depend on the monthly check they receive from the system. Paul Christopher pointed out that â€Å"their problems with welfare seem to be that in their own opinion welfare is far too easy to get, has way too many benefits and pays much too much in actual cash. And of course, I’d be remiss in not mentioning that everyone on welfare is milking the system and lazy.† Everybody sees that the system is being used by people that don’t really need it but just want it because they can. We have people that actually n eed the system and get denied for the system and that is sad. The ones that really need the help cannot get help from the system and are left struggling, watching other milky up the system. The same people that do not need welfare but takes advantage of it, are the same people that start the generational curse on the welfare system. Americans that have kids and are one the system majority of the time their children will follow in the same footsteps. I say that because since people are relying on the system long-term then there children will want to do the same. This causesShow MoreRelatedEssay On Folic Acid In New Zealand1558 Words   |  7 PagesNew Zealands public health system is often considered to be on par with the worlds best. Our social welfare system cares for people without bankrupting them and we have a range of guidelines to ensure that our food and resources are safe. However, it may be that we are failing in key areas of our health system, particularly in the prevention of neural tube defects such as spina bifida. This failure may be resulting in widespread and unnecessary suffering for the hundreds of New Zealanders thatRead MoreParent Rights and Parental Control: Looking for a Surrogate2020 Words   |  8 Pagesa surrogate. They find an interested individual named Sue. When they sit down to d iscuss the details of their arrangement, Sue disagree that parental rights are automatically acquired by those who have genetic claims to the fetus. What should Sue do? Sue should autonomously decide to leave the agreement on the table so the couple can find a different surrogate that is of the same mind, just as parties do in a usual labor agreement. The second and third facets required of all labor agreements areRead MoreEssay about The Debate of Animal Testing in Laboratories2402 Words   |  10 Pagesanimal research advocates strongly believe that animals unlock the key to curing and ailing diseases. Two sides to pro activists include both animal rights advocates and animal welfare advocates. â€Å"Animal rights means that animals are not ours to use for food, clothing, entertainment, or experimentation. Animal welfare, on the other hand, permits these uses of animals as long as certain humane guidelines are enforced† (Frequently). Some people believe the concern for animals is a waste of timeRead MoreCarper vs Carp2839 Words   |  12 Pagesprogram is needed in order to fulfill the peace and prosperity of the agrarian industry which is the forte of the Philippine country. So again, the question is repeated: which is better? ISSUE / PROBLEM As an agricultural country, the government should place agrarian reform as one of its priorities. The problem lies on the program they implemented. It is not enough to satisfy the needs of the farmers and other agricultural related workers. OBJECTIVE OF THE STUDY The researchers aim to help clarifyRead MoreChildhood Poverty3641 Words   |  15 PagesCensus Bureau reported that 12% of Americans live in poverty. According to the Department of Health and Human Services, the poverty level in 2009 for a family of four was $22,050. Working parents have no time and their finances are often strained. Welfare reform in the United States may pressure single mothers to be employed even though child care is expensive and they may barely make minimum wage (Miller, 2007). If a child experiences poverty during their preschool or early school years, then theyRead MoreCourse Article8941 Words   |  36 Pagesfor its citizens, the issues at stake raise a fundamentalquestion. Why did these two neighbors develop different forms of health insurance, a health care in Canada and a dual-tiered universal system of government-financed of Medicare and Medicaid targeted at the elderly and poor in the United system States? The contrast is even more significant when we consider that these two countries, generally classified as liberalwelfare states,2 share many common economic, political, and social attributesandRead MoreToxic Leadership3579 Words   |  15 PagesHow Dark Side Leadership Personality Destroys Trust and Degrades Organizational Effectiveness Introduction People seem implicitly to attach the word good to the word leadership. This tendency may explain why academic researchers have avoided managerial (and leadership) incompetence. The recent implosion of several organizations (i.e. Enron, Tyco, WorldCom, Hollinger International) and the associated media coverage has called attention to the existence of bad leaders. This article drawsRead MoreTermpaper on Status of Life Insurance in the Philippines6002 Words   |  25 Pagesnot having Life Insurance. The significance of life Insurance to our Government and some recommended solutions regarding Micro Insurance. INTRODUCTION Why do other countries have sufficient and order when it comes to their emergency needs, is it because they have high income than us (Philippines) or is it because of relative povery and illiteracy of the situation in our environment. This issues are commonRead MoreThe Ford Pinto Case9294 Words   |  38 Pages-------------------------------------------------------------------------------- Abstract The cases involving the explosion of Ford Pintos due to a defective fuel system design led to the debate of many issues, most centering around the use by Ford of a cost-benefit analysis and the ethics surrounding its decision not to upgrade the fuel system based on this analysis. ISSUE Should a risk/benefit analysis be used in situations where a defect in design or manufacturing could lead to death or seriously bodily harm, suchRead MoreThe Ford Pinto Case9301 Words   |  38 Pages-------------------------------------------------------------------------------- Abstract The cases involving the explosion of Ford Pintos due to a defective fuel system design led to the debate of many issues, most centering around the use by Ford of a cost-benefit analysis and the ethics surrounding its decision not to upgrade the fuel system based on this analysis. ISSUE Should a risk/benefit analysis be used in situations where a defect in design or manufacturing could lead to death or seriously bodily harm, such

Creon as Tragic Hero - 1586 Words

Tragedy at its Finest In the Greek play Antigone, Creon and Antigone can both be claimed the title of Tragic Hero. Creon was made king when Oedipus Rex fled the kingship. Creon is the brother in law of Oedipus, and was giving the kingship only because Oedipus’s sons, Eteocles and Polyneices were killed trying to fight for the thrown. Antigone is Oedipus’s daughter and Creon’s niece. When it comes down to who the tragic hero is, Creon most definitely walks away with the title. A tragic hero by definition is ordinary person neither good nor bad, is in a better social standing, falls to misfortune, and contains a tragic flaw. This person goes through a series of reversals all the way up till they make an error in judgment. After their†¦show more content†¦When talking to his servants, â€Å"†¦ Now then,/ since the two sons are dead – two blows of fate/ in the same day, cut down by each others hands,/ both killers, both brothers stained with blood -/ as I am next to kin to the dead,/ I now possess the throne and all its powers.† (Sophocles 188-93) Here you can see that Creon is prideful on getting the new throne. This new throne makes Creon instantly a very greedy and ungenerous person, his character fits a part of the perfect definition of a tragic hero. The series of reversals that lead up to Creon’s error in judgment is when Creon : One, let pride rule him and not himself. Two, when Creon just blew past the sentry when the century was trying to warm Creon. Three, when Creon was confronted by Antigone and Antigone told Creon to kill her because her death will be greatly appreciated by the gods. Four, when he totally ignored Tiresias the blind prophet. Five, his final realization of the fact that he lets his pride rule and what has just happened to his kingdom. Creon wanted to be a strong ruler so everyone can start taking him serious. Thus this sense of Hubris came out of him. According to Aristotle’s elements of tragedy hubris is the use of too much power or too much pride. Creon blew past the sentries warning when the sentry days, â€Å" Oh it’s terrible when the one who does the judging/ judges things all wrong.† (Sophocles 367) Right here you can see that the sentry isShow MoreRelatedCreon as the Trag ic Hero of an802 Words   |  4 PagesGreek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotles definition, Creon is the tragic hero of Antigone. Creon fits Aristotles tragic hero traits as a significant person who is faced with difficult decisions. Creon is significant because he is king. This makes him both renowned and prosperous. Creon is not completely good nor completely bad; he is somewhere in-between, as humans are. The audienceRead MoreCreon The Tragic Hero1005 Words   |  5 PagesA tragic hero is defined in most cases as a literary character of great stature whose moral defect leads to tragedy but some self-awareness brings the character to make the right decision (World Literatures). That is why although Antigone portrays many characteristics of a tragic hero, the real tragic hero of this play is Creon. A tragic hero in the Greek world is very different from our perceptive of a hero in the modern world. When today’s society thinks of a hero they think of superpowers andRead MoreCreon As A Tragic Hero In SophoclesAntigone1509 Words   |  7 PagesIn Poetics, Aristotle describes a tragic character as someon e who experiences an error in judgement, experiences a reversal of fortune due to the error, has an excessive pride, and receives a fate much greater than what is deserved. In Sophocles’ Antigone, many would argue that Creon is the tragic hero of the play. However, he is not alone as the recipient of tragedy. A young woman by the name of Antigone also fits the characteristics for being considered a tragic heroine. A key element in the tragedyRead MoreCreon As A Tragic Hero Essay1650 Words   |  7 Pages Orens English 10H 26 October 2017 What makes tragic heroes different from an ordinary hero? A tragic hero is a character who is complex by nature, having the ability to give off distinctive impressions to different readers. Creon, king of Thebes, is the tragic hero in Sophocles’ â€Å"Antigone† who can be perceived as the antagonist on account of his behavior. One can say that Creon’s decision to prosecute Antigone for burying her brother made Creon look like the enemy. However, with further examinationRead MoreCreon, the Tragic Hero Essay1663 Words   |  7 Pages an argument of who is the tragic hero between Antigone and Creon exists. I firmly believe Creon is the tragic hero of the play. Creon becomes the typical fallen hero in Greek drama. He faces many conflicts, internally and externally, and undergoes quite a bit of painful emotions. One might say Antigone should receive the title of being the tragic hero, but Creon plays a more significant role by learning his lesson the hard way and en ding up as the classic tragic hero who loses everything at theRead MoreCreon Is a Tragic Hero Essay1492 Words   |  6 PagesThe Hero, Creon Aristotle once said, regarding his principles that a certain character is a tragic hero, A man cannot become a hero until he can see the root of his own downfall. This quotation is an accurate statement regarding the actions between Creon in the beginning of the play, and at the end once he has lost his family. A tragic hero is defined as a character of noble stature, the hero is imperfect allowing the audience to relate to him, as well as the hero’s downfall is caused by hisRead MoreCreon Is The Tragic Hero Of Antigone734 Words   |  3 Pages The civil war is over. After the tragic death of the Oedipus, everyone would take the throne from one year to the next. Creon orders Eteocles to be buried with full honors, while Polynices body is left to rot. Creon says that â€Å"anyone who attempts to bury Polynices shall be publicly stoned to death† (Sophocles 57). Antigone has disobeyed the decree and has been sentenced to death. While Antigone is awaiting execution, the blind prophet, Tiresias, informs Creon that he has angered the gods. BasedRead MoreCreon : The Tragic Hero In SophoclesAntigone886 Words   |  4 Pagesit presents a certain type of hero or heroine who is neither completely good nor completely bad† (â€Å"What is† 739). He or she must also be â€Å"highly renowned and prosperous,† have a tragic flaw, learn a lesson, and suffer greatly (â€Å"What is† 739). Therefore, in Antigone by Sophocles, Creon is the tragic hero because he is a king who has the tragic flaw of pride, learns to respect god’s law, and suffers more than he deserves. The first thing that makes Creon a tragic hero is his pride. When the ChoragosRead MoreCreon: A Tragic Hero in Antigone606 Words   |  2 Pagesqualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic heros end in a tragic death that effects many people, not all tragic heros fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotles definitionRead MoreEssay about Creon the Tragic Hero931 Words   |  4 Pagesplay Antigone by Sophocles,one could easily be lead to believe Antigone is the the tragic hero when in fact a strong case can be made that Creon, the king of Thebes, is actually the tragic hero. In believing that Creon is the tragic hero it would seem practical to call the play Creon rather than Antigone. On the other hand, naming the play Antigone gives the play a twist that leads the audience into a dynamically tragic journey through the lives of a prestigious royal family and it gives birth to thoughts

Deception Point Page 103 Free Essays

Unfortunately, Delta-One had seen the complexity of the control panel near the trapdoor-a series of unmarked levers and dials that apparently controlled the trapdoor, the winch motor, and numerous other commands. He had no intention of hitting the wrong lever and risking his partner’s life by mistakenly dropping the sub into the sea. Eliminate all risk. We will write a custom essay sample on Deception Point Page 103 or any similar topic only for you Order Now Never rush. He would force Tolland to perform the actual release. And to ensure he did not try anything tricky, Delta-One would take out insurance known in his business as â€Å"biological collateral.† Use your adversaries against one another. Delta-One swung the gun barrel directly into Rachel’s face, stopping only inches from her forehead. Rachel closed her eyes, and Delta-One could see Tolland’s fists clench in a protective anger. â€Å"Ms. Sexton, stand up,† Delta-One said. She did. With the gun firmly on her back, Delta-One marched her over to an aluminum set of portable stairs that led up to the top of the Triton sub from behind. â€Å"Climb up and stand on top of the sub.† Rachel looked frightened and confused. â€Å"Just do it,† Delta-One said. Rachel felt like she was moving through a nightmare as she climbed up the aluminum gangway behind the Triton. She stopped at the top, having no desire to step out over the chasm onto the suspended Triton. â€Å"Get on top of the sub,† the soldier said, returning to Tolland and pushing the gun against his head. In front of Rachel the soldier who was in the clamps watched her, shifting in pain, obviously eager to get out. Rachel looked at Tolland, who now had a gun barrel to his head. Get on top of the sub. She had no choice. Feeling like she was edging out onto a precipice overhanging a canyon, Rachel stepped onto the Triton’s engine casing, a small flat section behind the rounded dome window. The entire sub hung like a massive plumb bob over the open trapdoor. Even suspended on its winch cable, the nine-ton sub barely registered her arrival, swinging only a few millimeters as she steadied herself. â€Å"Okay, let’s move,† the soldier said to Tolland. â€Å"Go to the controls and close the trapdoor.† At gunpoint, Tolland began moving toward the control panel with the soldier behind him. As Tolland came toward her, he was moving slowly, and Rachel could feel his eyes fixing hard on her as if trying to send her a message. He looked directly at her and then down at the open hatch on top of the Triton. Rachel glanced down. The hatch at her feet was open, the heavy circular covering propped open. She could see down into the one-seater cockpit. He wants me to get in? Sensing she must be mistaken, Rachel looked at Tolland again. He was almost to the control panel. Tolland’s eyes locked on her. This time he was less subtle. His lips mouthed, â€Å"Jump in! Now!† Delta-One saw Rachel’s motion out of the corner of his eye and wheeled on instinct, opening fire as Rachel fell through the sub’s hatch just below the barrage of bullets. The open hatch covering rang out as the bullets ricocheted off the circular portal, sending up a shower of sparks, and slamming the lid closed on top of her. Tolland, the instant he’d felt the gun leave his back, made his move. He dove to his left, away from the trapdoor, hitting the deck and rolling just as the soldier spun back toward him, gun blazing. Bullets exploded behind Tolland as he scrambled for cover behind the ship’s stern anchor spool-an enormous motorized cylinder around which was wound several thousand feet of steel cable connected to the ship’s anchor. Tolland had a plan and would have to act fast. As the soldier dashed toward him, Tolland reached up and grabbed the anchor lock with both hands, yanking down. Instantly the anchor spool began feeding out lengths of cable, and the Goya lurched in the strong current. The sudden movement sent everything and everyone on the deck staggering sidelong. As the boat accelerated in reverse on the current, the anchor spool doled out cable faster and faster. Come on, baby, Tolland urged. The soldier regained his balance and came for Tolland. Waiting until the last possible moment, Tolland braced himself and rammed the lever back up, locking the anchor spool. The chain snapped taut, stopping the ship short and sending a tremulous shudder throughout the Goya. Everything on deck went flying. The soldier staggered to his knees near Tolland. Pickering fell back from the railing onto the deck. The Triton swung wildly on its cable. A grating howl of failing metal tore up from beneath the ship like an earthquake as the damaged strut finally gave way. The right stern corner of the Goya began collapsing under its own weight. The ship faltered, tilting on a diagonal like a massive table losing one of its four legs. The noise from beneath was deafening-a wail of twisting, grating metal and pounding surf. White-knuckled inside the Triton cockpit, Rachel held on as the nine-ton machine swayed over the trapdoor in the now steeply inclined deck. Through the base of the glass dome she could see the ocean raging below. As she looked up, her eyes scanning the deck for Tolland, she watched a bizarre drama on the deck unfold in a matter of seconds. Only a yard away, trapped in the Triton’s claws, the clamped Delta soldier was howling in pain as he bobbed like a puppet on a stick. William Pickering scrambled across Rachel’s field of vision and grabbed on to a cleat on the deck. Near the anchor lever, Tolland was also hanging on, trying not to slide over the edge into the water. When Rachel saw the soldier with the machine gun stabilizing himself nearby, she called out inside the sub. â€Å"Mike, look out!† But Delta-One ignored Tolland entirely. The soldier was looking back toward the idling helicopter with his mouth open in horror. Rachel turned, following his gaze. The Kiowa gunship, with its huge rotors still turning, had started to slowly slide forward down the tipping deck. Its long metal skids were acting like skis on a slope. It was then that Rachel realized the huge machine was skidding directly toward the Triton. Scrambling up the inclined deck toward the sliding aircraft, Delta-One clambered into the cockpit. He had no intention of letting their only means of escape slide off the deck. Delta-One seized the Kiowa’s controls and heaved back on the stick. Lift off! With a deafening roar, the blades accelerated overhead, straining to lift the heavily armed gunship off the deck. Up, goddamn it! The chopper was sliding directly toward the Triton and Delta-Two suspended in its grasp. With its nose tipped forward, the Kiowa’s blades were also tipped, and when the chopper lurched off the deck, it sailed more forward than up, accelerating toward the Triton like a giant buzz saw. Up! Delta-One pulled the stick, wishing he could drop the half ton of Hellfire warheads weighing him down. The blades just missed the top of Delta-Two’s head and the top of the Triton sub, but the chopper was moving too fast. It would never clear the Triton’s winch cable. As the Kiowa’s 300-rpm steel blades collided with the sub’s fifteen-ton capacity braided steel winch cable, the night erupted with the shriek of metal on metal. The sounds conjured images of epic battle. From the chopper’s armored cockpit, Delta-One watched his rotors tear into the sub’s cable like a giant lawn mower running over a steel chain. A blinding spray of sparks erupted overhead, and the Kiowa’s blades exploded. Delta-One felt the chopper bottom out, its struts hitting the deck hard. He tried to control the aircraft, but he had no lift. The chopper bounded twice down the inclined deck, then slid, crashing into the ship’s guardrail. For a moment, he thought the rail would hold. Then Delta-One heard the crack. The heavily laden chopper listed over the brink, plummeting into the sea. Inside the Triton, Rachel Sexton sat paralyzed, her body pressed back into the sub’s seat. The minisub had been tossed violently as the chopper’s rotor wrapped around the cable, but she had managed to hang on. Somehow the blades had missed the main body of the sub, but she knew there had to be major damage to the cable. All Rachel could think of at that point was escaping from the sub as fast as she could. The soldier trapped in the clamps stared in at her, delirious, bleeding, and burned from the shrapnel. Beyond him, Rachel saw William Pickering still holding on to a cleat on the slanting deck. 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Lucien Freud Essay Research Paper Lucian Freud free essay sample

Lucien Freud Essay, Research Paper Lucian Freud Master of The Flesh Lucian Freud, born grandson to Austrian Psychologist Sigmund Freud, was an English painter known and extremely appreciated for his ability to render the human organic structure with such proficient preciseness. He was born in Berlin in 1922, and still lives today. He emigrated to England with his household as a kid. He began to have preparation at the Central School of Art in London, the East Anglian School of Painting and Drawing in Dedham, and Goldsmiths College in London between 1939 and 1943. In the 1950 s Freud became an internationally recognized creative person, and held several exhibitions around the Earth. Freud s beginnings as an creative person involved a really additive and diagrammatically oriented attack to work. Freud s oil pictures today are even considered to be drawings in nature and attack. He transformed from this illustrational, in writing, additive creative person to one that specialised in the meaty, tiring present status. Freud besides began as a miniaturist, frequently doing little portrayals and still making little images until today. He would pay an tremendous attending to item, even in the pulling utilizing the thickest and most vivacious of brushstrokes. Freud s personality was one that affected several people, holding an impact on them to be the impact his plants had. # 8220 ; Lucian Freud has helped more people, wrecked more lives, and h ad more of an consequence on people than anyone I ve of all time known, # 8221 ; said a former lover of the creative person. Considered to be an highly beautiful male child in his young person, it was said that Freud had a abandon about him that was fantastic. What could be unusual is that Freud was neer noted to hold a natural endowment for drawing, yet his self-control and intense love for life caused him to paint whatever he had for a topic. His unbelievable ability to maintain solid concentration allowed him to bring forth a battalion of pictures in his young person, largely of male childs, dead animate beings and birds, himself, adult females, and work forces. Freud is an creative person who has the capableness of making a resolute sense of clumsiness that gave the deadening proficient drawings life. He is capable of making so in whatever medium he used. Freud has been known to make displeasing, upseting, renditions of the human organic structure by pulling truly bromidic images at times. Freud was intensely punctilious his pictures were considered drawings, and even the oil pigment, was non clumpy, yet smoothed to a smooth coating. Freud s work was so successful it recalls picture taking s deformations and compactions. The changeless factor in Freud s pictures is the gravitation and its tortures. The organic structure is depicted sagging, stretched, fatty, ruddy, sleepy, bored, and by and large cursed physically. Freud is a representative of workmanship, easy transporting that to his manner of picture. There was ever a strong sexual undertone within Freud s work, in his pictures, organic structures of both genders were shown lying down distributing their legs to uncover parts that could hold felt a bit unsafe. When Freud poses his theoretical accounts he skews and somewhat distorts the infinite in the drawing. The images may sometimes look like the topic is withstanding gravitation, sometimes about looking to topple upside down. Freud neer considered himself portion of the artistic motion. He operates off from that, and that adds to his mystique non merely as an creative person, but as a individual. The painter has said that his pictures are merely about his ain life, ain friends, and his studio, stating, # 8220 ; This is an enterprise that takes topographic point outside of art historical time.It takes topographic point in my ain clip. My work is non about the civilization, it is about me, # 8221 ; . All portraits the eyes are truly large and unfastened, but are missing life, giving the feeling that the topic is mentally non there whereas physically, the topic s eyes are looking consecutive in front, a good illustration can be noted in Freud s work entitled Girl With a White Doggy. The capable s oral cavity is besides instead large and throughout most of Freud s works the topic have their oral cavities closed, adding to the hush in nat ure. Some intimation of a sexual intension is noted as Freud draws in the topic in Girl With a White Doggy with one bare chest. The capable clearly marks the chest with her manus. Often one can pay attending to really little obscure inside informations that can take to the personalities of his topics. In Girl With a White Doggy, we notice a really little ring on the adult female s finger. This could take to her being a married woman, or a female parent possibly. After one notices these small inside informations, one can look once more at the face and roll up more information from the looks in the topic s face. In this work s instance, we see the topic may hold suffered a loss in her household life, since her still and daydream face gives us the feeling that the character is suffering. One thing that is really of import as good in mention to the eyes, the creative person makes it a point to demo the character intentionally looking at the spectator or holding the eyes intentionally hidden. In the work, Strange Bedfellows the topic is covering her eyes dissembling them from the spectator. Traveling back to Girl With a White Doggy we can see clearly the topic is close to gazing the spectator right in the eyes. However, Freud still leaves the eyes lifeless, so whether or non the topic is gazing at the spectator, he or she knows the topic is someplace else in his or her head. One of Freud s Self-Portraits, shows nevertheless, that Freud may non hold had the same attack to painting himself. He did non do an attempt to stress his eyes, and the picture was non really heavy in nature. We can besides detect that an overdone point of view is being used in the painter s work of himself. The work entitled, Leigh Bowery Seated is a portrayal of a theoretical account Freud ever painted. In this work, the theoretical account painted bare, seated on a chair distributing his legs as if the character wants to demo his genitalias to the spectator. This picture is a perfect illustration for explicating Freud s ability to paint flesh. We see an fleshy nude adult male, drawn precisely as he is seen and non idealised in any manner, another figure absolutely painted by Freud. Freud uses a broad assortment of colourss on the human organic structure s surface, and this was likely why this peculiar theoretical account was Freud s favorite. We see his figure does so dwell of a batch of meat and we can state the picture in it s nature is instead heavy. The more flesh, the more room for a assortment of colour. We notice an attending to item, even though the brushstrokes in this picture are non the absolute finest he has painted. Freud may paint with a really all right coppice and pay an tremendous attending to inside informations, whereas at other times his attending to item may still affect a work with truly vivacious, thick, expressive brushstrokes. In this work, we can besides convey up the illustration of the topic s eyes in cold blood gazing at the spectator, nevertheless, we say once more that the topic is likely non mentally at that place, and is someplace else. The topics eyes are large and good marked on his caput, yet they retain they same motionlessness as in Girl With a White Dog. Lucian Freud was known as one of the greatest painters of all time to paint the figure. This creative person in a discreet manner could hold been utilizing organic structure linguistic communication demoing through his pictures, perchance even more to uncover more about the individuality of the topic. It seems that it is more of import to Freud to pull strings the spectator and commanding his reaction, than the existent picture. Freud tries to present through his pictures a feeling he wants the spectator to see. This is likely reached by utilizing all these small tattletale hints we observe in his work. Freud is concerned with the feeling he delivers in his nonliteral work. Even though some pictures may come off as disturbing at times, the airss are about ever relaxed. All these elements can be combined into one powerful picture of the human figure, and Freud treats the human figure like a book, painting it with his marks, and likely the manner he would wish us to read them hasn t be en revealed yet. We do non cognize if that is intended. Who knows, there may be secrets in the creative person s figures that may neer be revealed 320